The Radio is a Rude Boy

It's always enlightening to take a deeper look at things that don't require it.

Pop culture is one such scene where anything that pops sticks and anything that sticks sticks hard. But their ephemeral nature says something itself.

Radio is particularly vengeful in drilling hit songs into our ears until our heads fill with nonsense and danceable beats. Sometimes, though, a step back helps my consciousness a bit, recognizing the crap I do indeed love.

Jay Z and Alicia Keys are a good example. Their endlessly played smash-hit "Empire State of Mind" was good at first. Even gave me tingles when I saw the performance live on the TV. But too much of a good thing is never great, and now I can thank radio for making me think Jay Z and Alicia Keys really, really want me to hate New York. Ramming it down my throat every day, all that song reminds me of now is that New York is not that glamorous in endless, heavy doses. Much like the song. Thanks Jay Z and Mr. Radio.

Likewise, thanks to the Baha Men for tainting the word "Who" by barking it at me. Thanks Usher for honoring the work of Lil' Jon with "Yea!". Thanks Outkast for partnering the catchy "Hey Ya!" with clapping, forever. And, as Ice T famously remarked, Soulja Boy can eat a dick.

So we let the simplicity wash over us until we hate the songs for their radio repetition, basically no fault of the artist's own.

But Rihanna's "Rude Boy" has given me an ever ruder awakening.

Currently, the song to be played every half-hour on the radio, Rihanna's "Rude Boy" does much to challenge my love of some pop music.

First off, "Rude Boy" clearly portraits Rihanna's stutter as a speech impediment to be exploited. The song is called "Rude Boy," but her chorus repeats, "Come on, Rude Boy, Boy". She proudly proclaims, "What I want, want, want is what you want, want, want." Does no one else see a problem here?

Rihanna kicks off the song by submitting to her Rude Boy as the "Captian" in the bedroom. Great. But then the tables quickly turn and Ms. Rihanna barks orders, like "Relax, let me do it how I wanna." Wait, what? Who is in charge here? Does Rihanna need some kind of freaky role play? Probably.

And my favorite line Rihanna chucks in among the other nonsense goes something like, "If I don't feel it, I ain't fakin', no no." My masculine insecurity has so many problems with this statement that I don't know where to start. I'll suffice it to say that clearly this is the thing to do, Rihanna. But both you and your Rude Boy sure have talked a big game up by now.